BUFFALO 8 DISTRIBUTION ACQUIRES ‘B-SIDE: FOR TAYLOR’ AND SETS MAY 17 VOD AND STREAMING RELEASE

LOS ANGELES (May 1, 2024) – Buffalo 8 acquires ‘B-Side: For Taylor’ and sets May 17, 2024 release for on demand and streaming platforms including Amazon, Tubi, Vudu, Hoopla and cable networks. Its launch coincides with AAPI Heritage Month, lending added resonance to this compelling narrative,which explores the path to self-discovery that is unique to the Asian diaspora, and celebrates the imperfections of familial relationships.

Produced by Journey West Pictures and Screaming In My Pillow Productions, “B-Side: For Taylor” is written and directed by Christina YR Lim. The film follows the story of Taylor, a 14-year-old Korean-American adoptee, who embarks on a journey of self-discovery when a Korean family unexpectedly moves in next door, leading her to uncover her roots and the whereabouts of her birth family.

Director and writer Christina YR Lim draws from her own experiences growing up in an interracial family in the American suburbs, infusing the film with authenticity and emotional depth. Lim shares,”This film is a passion project inspired by my own upbringing of being raised by a stepparent while being estranged from my family and heritage in Korea. It explores the delicate balance of identity, family, and belonging.”

“B-Side: For Taylor” boasts a talented cast including Esther Moon (“Minari,” “Partner Track”), James Kang (“Ms. Purple,” “Players”), Teddy Lee (“Ms. Purple,” “Kiss of the Rabbit God”), Jeannine Vargas (“Sweet 15,” “Fever”), Dave Huber (“Pink Opaque,” “Back in the No”), and Jacky Jung (“Joseon’s Bride,” “Sweet & Sour”).

The film has garnered attention at prestigious film festivals including Cinequest Film Festival, RiverRun International Film Festival (where Jacky Jung received the Special Jury Award for Outstanding Supporting Performance), LA Asian Pacific Film Festival, CAAMFest, Cinema Columbus (where it won the Best Narrative Feature award), Nòt Film Festival, Catalina Film Festival, and Footcandle Film Festival (where it was named Audience Favorite Feature Film).

Lim expresses her pride in the film’s AAPI representation both on and off-screen, stating, “As a Korean-American filmmaker, I am proud to lead a team of AAPI creatives in all key roles, and to showcase a cast that authentically reflects our story.”

GETTING STARTED WITH B8 Distribution

What are my options for distributing my film?

When looking to distribute your film, there are two main options: Self-distribute or partner with a traditional distributor to release the film on a revenue share. We have experience with both and can help you either way.

What is the difference between aggregation and distribution?

Signing with a distributor means entrusting people with your film. Can they handle the legwork of its release? This means distributing the film within a pre-defined list of territories for a period of several years (five, seven, and ten are typical terms). While the specifics of distribution agreements can vary greatly, it’s most common for a distributor to recoup its expenses before splitting any remaining revenue with you.

Alternatively, you can forego working with a distributor altogether and distribute the film yourself. You can deliver your film to the major online retailers (iTunes, Amazon, Google Play, and more) via a content aggregator and keep all ownership and revenue, but you are ultimately responsible for all aspects of your film’s release.

Which is better?

Neither is better, and both have their pros and cons.

The upside of working with a distributor is knowing your film’s release will be supported and carried out by a team of professionals. The downsides, however, are that you are relinquishing control of your film and sharing revenue with another company.

Self-distribution has its own advantages and disadvantages as well. Instead of giving up control, you retain ownership of the film’s release and the revenue it generates. However, to perform well, you need time, money, and a strong understanding of navigating releases and promotions.

How do I find a distributor?

Many filmmakers will utilize a sales representative to bring the film to distributors and other buyers. Other times, a distributor seeks out a film / filmmaker often buying films at film festivals.

How can I avoid being taken advantage of by a distributor?

Some distributors have been known to take advantage of filmmakers by overcharging for services or by cutting corners on the work expected of them. The best way to prepare for this is by knowing exactly what you want for your film when you sign. Ask a ton of questions. Stay involved in the process. By working together, you can ensure the film achieves the milestones you set from the beginning.

What can I do to self-distribute successfully?

The most important step you can take in self-distributing is planning ahead. Simply making your film publicly available does not ensure people will watch it. To give your film the best chance to succeed, make sure you have a distribution strategy in place. This means having a promotion tactic synchronized with proper release windows.

What is windowing?

When your film is released within certain parameters (e.g. domestic theatrical, transactional VOD, subscription, etc.), this is known as a window. By staggering these windows strategically, you can maximize exposure and the revenue that transpires.

My film’s being released! How do I get the word out?

The possibilities are endless. For independent filmmakers working within a tiny budget – event-based marketing can be hugely effective. Bolster local screenings by inviting your talent, utilizing social media, organizing press releases, and deploying targeted digital advertising campaigns.

Which platforms will take my film?

Some of the major platforms, such as iTunes, Amazon, and Google are open retailers. This means they can go live, via an aggregator, if all technical specifications are met. Other retailers, such as Netflix and Hulu, are curated. This means content needs to be submitted, reviewed, and approved before it appears in store.

What assets do I need to deliver?

Depending on where your film is being delivered, asset requirements may vary. However, as a general rule, the core assets are ProRes masters of the feature and green band trailer, a Closed Caption file, and a piece of vertical key art.